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< BARDO ZONA OESTE

apusnoir:

Federico García Lorca, Escena de domador y animal fabuloso, 1929. 

de-salva:

Germaine Richier in his Studio (Atelier)

de-salva:

Detail from Germaine Richier`s Studio (Atelier)

lapitiedangereuse:

Billie “Lady Day” Holiday
photo by Milt Hinton,last recording


lavuebasse:

Sculpteur, art singulier

murias:

Beginning of Spring // Konstantin Kalynovych

apusnoir:

Federico García Lorca y Angel del Río, fotografiados a través de un ventanal en el Central Park de Nueva York, en 1929.

red-lipstick:

Shin Taga (b. 1946, Hokkaido, Japan) - Yumesakai, 1985     Etchings

(Source : victorarwas.com)

a-bittersweet-life:

The spectator always ends up by understanding when you are sincere in what you are telling him. I don’t invent any language to appear simpler, stupider, or smarter. A lack of honesty would destroy the dialogue. Time has worked for me. When people understood that I was speaking a natural language, that I wasn’t pretending, that I didn’t take them for imbeciles, that I only say what I think, then they became interested in what I was doing.

Andrei Tarkovsky

spectrumvivace:

Hans Bellmer

spectrumvivace:

Hans BELLMER - Composition érotico-surréaliste. Gravure rehaussée à la gouache.

zoomusickgirl:

The Great Buddha by Paul Gauguin (1899)

rawforms:

Solo Butoh performance by Carlotta Ikeda, Tokyo, 1985

(Source : humantropy)

amare-habeo:

André Masson (French, 1896–1987) - The Night in the Countryside (La nuit à la campagne), 1926